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- <text id=91TT2861>
- <title>
- Dec. 23, 1991: Critics' Voices
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1991
- Dec. 23, 1991 Gorbachev:A Man Without A Country
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CRITICS' VOICES, Page 12
- </hdr><body>
- <p> MOVIES
- </p>
- <p> BLACK ROBE. Sometimes you dance with the wolf; sometimes
- the wolf eats you. Bruce Beresford's dark drama, about a white
- priest among some truly savage savages, tops Kevin Costner's
- Oscar-winning 1990 romance by being anthropologically, if not
- politically, correct. It embraces ambiguity and is all the more
- powerful for it.
- </p>
- <p> FOR THE BOYS. The definitive Bette Midler movie--all
- music, sass and high emoting--is also a jazzy panorama of pop
- culture for half an American century. And even if you skip the
- movie, get the sound track, which features Bette's great and
- knowing pipes on excavated swing tunes like Billy-a-Dick and
- Stuff Like That There.
- </p>
- <p> MEETING VENUS. A Hungarian guest conductor (Niels
- Arestrup) meets a Swedish diva (Glenn Close) while rehearsing
- Wagner's Tannhauser with a motley and disputatious band of
- emigre musicians in Paris. Result: a funny, satirical, romantic
- and--above all--intelligent film about backstage intrigues
- and onstage triumphs.
- </p>
- <p> THEATER
- </p>
- <p> THE SHADOW OF A GUNMAN. Sean O'Casey went on to write
- better plays and the new Irish troupe that bears his name may
- go on to better stagings, but both show to advantage in this
- tragicomedy about the Troubles in Dublin of 1920. The touring
- show, directed by the playwright's daughter Shivaun, is at
- Washington's Kennedy Center until Jan. 19.
- </p>
- <p> NICK & NORA. Remember that lovable Asta? Well, the only
- new American musical of the 1991-92 Broadway season, based on
- the Thin Man movies, is quite a dog itself.
- </p>
- <p> MARVIN'S ROOM. The first generation of AIDS plays dealt
- with the disease head on and focused on a specifically gay male
- world. The new wave, like Prelude to a Kiss and this
- off-Broadway knockout by Scott McPherson, respond
- metaphorically, never mentioning gays or even the disease but
- instead looking at the universal experiences of illness and
- dying, family rage and reconciliation. Director David Petrarca
- has polished the work through stagings in Chicago and Hartford,
- and it shines--especially in Laura Esterman's portrayal of a
- care-giving aunt and Mark Rosenthal's depiction of her turbulent
- teenage nephew.
- </p>
- <p> TELEVISION
- </p>
- <p> CIRQUE DU SOLEIL II (HBO, Dec. 17, 21). Montreal's
- fantastical theatrical circus troupe presents an all-new show,
- spotlighting a bewitching company of aerialists, acrobats,
- contortionists and clowns.
- </p>
- <p> AMAZING GRACE (PBS, Dec. 20, 9 p.m. on most stations). A
- welcome rerun of Bill Moyers' glorious documentary on the
- meaning and legacy of one of the most popular hymns in the
- English language. Jessye Norman, Judy Collins and the Boys Choir
- of Harlem are among the singers.
- </p>
- <p> TWO ROOMS: TRIBUTE TO ELTON JOHN & BERNIE TAUPIN (ABC,
- Dec. 21, 9 p.m. EST). Rocket Man, Bennie and the Jets,
- Crocodile Rock and lots more John-Taupin hits are performed by
- Tina Turner, Sting, the Who, Elton himself and a galaxy of other
- rock stars in this salute to the two-decade career of the hugely
- successful songwriting team.
- </p>
- <p> MUSIC
- </p>
- <p> MARC COHN: MARC COHN (Atlantic). Nimble songwriting and
- heartfelt singing in the kind of debut album that harkens back
- to the halcyon days of James Taylor and Jackson Browne. Taylor,
- in fact, joins in on one tune, but on tracks like the
- streamlined Silver Thunderbird and Walking in Memphis, Cohn
- shows off a style that's clearly all his own.
- </p>
- <p> SCHOENBERG: GURRELIEDER (London). 2 vols. This
- quasi-oratorio is in many ways a summation and culmination of
- Romanticism: a magnificent music-drama about doomed love and
- transcendence, it echoes Wagner's Tristan and foreshadows
- Mahler's Eighth. Riccardo Chailly guides the Berlin Radio
- Symphony Orchestra, a large chorus and superb soloists led by
- Susan Dunn and Siegfried Jerusalem in this infinitely
- expressive, dramatically gripping performance.
- </p>
- <p> ART
- </p>
- <p> LOUIS I. KAHN: IN THE REALM OF ARCHITECTURE, Philadelphia
- Museum of Art. Drawings, scale models and photographs revealing
- the work of one of the most sublime builders of the 20th
- century. Through Jan. 5.
- </p>
- <p> THE RADIANCE OF JADE AND THE CRYSTAL CLARITY OF WATER:
- KOREAN CERAMICS FROM THE ATAKA COLLECTION, The Art Institute of
- Chicago. Korean artisans might have initially borrowed pottery
- techniques from the Chinese, but their subsequent creations
- rivaled those of their giant neighbor and became the envy of
- Japan, which dispatched military expeditions to raid Korean
- kilns and enslave its craftsmen. On display are 114 elegant and
- serenely beautiful objects including vases, ewers, incense
- burners and porcelain water droppers. Through Feb. 2.
- </p>
- <p> ETCETERA
- </p>
- <p> FREEDOM OF SPEECH AND PRESS: AMERICAN DEVELOPMENTS TO
- 1991, Low Memorial Library, Columbia University, New York. In
- commemoration of the 200th anniversary of the Bill of Rights,
- an exhibition of 70 documents, newspaper articles, broadsides
- and cartoons dealing with the first of our constitutional
- amendments. Through Jan. 31.
- </p>
- <p> LOST BOY
- </p>
- <p> Living well may be the best revenge. But a marvelous movie
- called Europa, Europa argues that there are times when living
- any way at all can serve the same purpose. It is based on the
- true World War II adventures of an adolescent Jew named Solomon
- Perel (Marco Hofschneider). His parents send him away from home,
- hoping that as a free agent living by his wits, he can escape
- Nazi persecution. Captured first by Russians, then by a company
- of German soldiers, he becomes an accidental battlefield hero.
- His reward is a scholarship to an elite Hitler Youth school,
- where every shower is a threat: circumcision was a death warrant
- in Hitler's Germany. There is comedy and suspense in his story,
- shrewdness and innocence in his well-played character, irony and
- sadness in his situation, which keeps him always isolated in a
- crowd. Writer-director Agnieszka Holland's energetic film
- neither sentimentalizes nor solemnizes Solly. It is finally a
- celebration of individual wit triumphing over mass viciousness
- and stupidity.
- </p>
- <p>BY TIME'S REVIEWERS/Compiled by Linda Williams.
- </p>
-
- </body></article>
- </text>
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